New Exhibition: the interior castle
by Lacey Hall
Opens August 6th
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She envisions the organ, “romantically, now as a jewel, now as a flower, now as a light in a glass, now as an envelope of rosy vellum containing other envelopes, one within the other, diminishing infinitely. It was always pink and always fragile, always deeply interior and invaluable.” |
NEW: By the Sweat of Your Brow by Bowen Schmitt
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“Patient observation leads the viewer to the craftsmanship of Dumas’ work; the hand-stitched needle and thread, the preserved rust, the glossy fish glue in flux with the matte wax. Through meticulous placement and intention, the visual aesthetic invites viewership while the curation and use of material forfeit itself to contemplation: where do we exist beyond materiality, what kind of future will we remember?”
Read Bowen Schmitt's review of Justin Dumas' Automatic Reliquary here. Bowen Schmitt (b. 1994 Tucson, Arizona) received his BFA from Tyler School of Art in 2016. Currently living in Pittsburgh, PA, Bowen is co-director of Late Space gallery. |
Announcing: New Resident Artists for Summer/Fall Co-Residency
Lou Tandon
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Zoe Scruggs
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Bunker Talks: Teena Wilder in Conversation with Way Gilbert and Tara Fay ColemanTeena Wilder in conversation with Wày Gilbert and Tara Fay Coleman about hair culture, Blackness, and visual art.
This talk is an extension of Wilder's text Things I Took From My Father, published in the Bunker Review’s Hand-Off essay series. In the work, Wilder explores themes of stillness, blackness, and healing while reflecting on the adoption of complex familial narratives as forms of survival. |
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Bunker Talks: Nick Drain and Harrison Kinnane Smith in ConversationPublished in the Bunker Review's new Hand-Off series, Drain's essay What Are You Looking At? uses photographic history, Simone Brown’s sousveillance, and Jeremy Bentham’s panopticon to uncover the entangled relationship between “the technology that is race and the technology that is photography.” Join us for a virtual conversation between Drain and Bunker Review editor Harrison Kinnane Smith about Drain's essay, and how he addresses the questions it raises in his art.
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