Talking Paper, 12/4-12/27
Adam Milner uses the traces and marks humans leave behind as a departure point for this series of drawings, the artist’s first show of such a vast array of works on paper. The drawings are intimate both in scale and material, using hair, blood, fingernails, and belly button lint to accompany simple marks in ink or graphite. In some works, he automates his body to create a sort of human drawing machine that allows him to produce works rooted in rule and procedure. In another series, he performs analogue image searches by gathering certain types of images from thousands of magazines. Together, this collection of works shows an attention to how the human body is mined, governed, and automated in contemporary life, but with a romance or sensitivity indicative of someone looking for a human connection. adammilner.com Comments are closed.
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